The centrepiece of this triptych of related works is the significant and rich Fourth Symphony, for orchestra and two harps (one of which is tuned down a quarter tone). Its mood fits the title, ‘Liminal’ meaning ‘on the edge of major change’ which is how our world feels most of the time. As with all of Cooman’s work, these pieces are totally accessible, not avant-garde, but explore many modern techniques to produce such effective expression of ideas.
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Carson Cooman:
- Shoreline Rune, Op. 1083 (4:56)
- Symphony No. 4 (“Liminal”), Op. 1068 (23:39)
- Prism, Op. 522 (7:25)
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Shoreline Rune, Op. 1083 (4:56)
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Symphony No. 4 ("Liminal"), Op. 1068 (23:39)
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Prism, Op. 522 (7:25)













